Ellen Koment Encaustic Paintings

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"Desert Breezes"

"Desert Breezes", A dyptich, 16" x 100", available at Karan Ruhlen Gallery, Santa Fe

Tuesday, December 1, 2009

"New Flags"

Posted by Ellen Koment at 10:45 AM 1 comment:

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Labels: 2011, 42" x42", encaustic on panel

"Serapis"

Posted by Ellen Koment at 10:32 AM No comments:

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Labels: 40" x 36", encaustic on panel

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Book Coming Out

Pleased to say that Mario Quilles and I will both be included in Ashley Rooney's "Contemorary Art of the Southwest", coming out later this year.

2013 Exhibit at Karan Ruhlen Gallery , September

"Blue Waves" 22"x 30" enc/paper

Encaustic Works '12

Click cover to go to R&F: R&F Paints presents Juried Biennial Exhibition-in-print with works selected by Joanne Mattera. Featuring an illustrated essay with twenty-nine artist portfolios. Cover art: Ellen Koment

Cover and Article in EAI online Magazine

Click to go to the magazine

Karan Ruhlen Gallery Santa Fe

I am pleased to say that my work will now be represented in Santa Fe by the Karan Ruhlan Gallery. Please go by! click the painting to go to the gallery.

BOX GALLERY, SANTA FE

Sadly, Box Gallery closed this month. MIchelle Oullette put together an amazing gallery and group of artists that I was proud to be part of.. Box Gallery is one of "a dozen galleries ... that the serious collector and the discerning tourist would not want to miss." -- Mimi Avins, Los Angeles Times, Travel, Sunday, September 3, 2006 1611-A Paseo de Peralta Santa Fe, NM 87501 (across from SITE Santa Fe) hours: Tuesday - Saturday 10 - 5 505.989.4897 michelle@boxgallerysf.com

Ellen Koment's Encaustic Workshops

Encaustic Workshops with Ellen Koment: Click here for information

Available Paintings

Feel free to contact me about available paintings

Ellen Koment

airstudio@copper.net

About Me

Ellen Koment: Koment has been exhibiting her encaustic paintings nationally for twenty years, including at the Karan Ruhlen Gallery in Santa Fe. She is a graduate of Cooper Art School in NYC, and has a Masters degree in painting from UC Berkeley. She has been teaching encaustic for 18 years.

View my complete profile

JRB Gallery Oklahoma City

Click the image to see available paintings

wax and pigment on paper 50"x40"

encaustic and pigment on paper, 45" x32"

wax and pigment on paper, 50"x40"

CONTACTS:

Ellen Koment
airstudio@copper.net
505-501-4620

Box Gallery, Santa Fe
505-989-4897

BOX Gallery Santa Fe Website

"Color Falls II"

20" x20'. encaustic on panel,2010

"Color Falls III"

Encaustic on panel, 20" x20", 2010

"Color Falls IV"

Encaustic on panel, 20" x20", 2010

Paintings 2008

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Paintings 2008-9 slideshow

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"Harawa"

encaustic on panel, 54" x 40"

encaustic on panel 12" x12"

BOX OPENING: New show opens July 23, 2010

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Architectural Digest Oct 2010

Ellen Koment painting "Morpho" in a client's home, Architectural Digest Oct 2010, click here

LINKS:

Encaustic Workshops
Mario Quilles: recent sculpture
Box Gallery/ Ellen Koment
Ellen Koment and Mario Quilles
http://www.youtube.com/user/nmencausticworkshops

click here: OSLO OPEN

Blog Archive

▼ 2009 (4)
- ► May (2)
- ▼ December (2)
  - "Serapis"
  - "New Flags"

► 2010 (4)
- ► July (3)
- ► August (1)

► 2012 (2)
- ► January (2)

Koment: R&F Artist of the month

click here to read the interview

ATOA Panel, NYC Great Success!

The ATOA Panel in New York City was a great success, with presentations form the six of us, Richard Frumess of R&F Paints giving an encapsulation of the history of encaustic, and the five artists on the panel showing and talking about their work in this medium. I was particularly struck by the differences between the encaustic work from these New York artists, and what I see in the Southwest. The New York work (at least judging from this sample), seemed denser, more opaque more substantial. The best of the work that I see in Santa Fe has to do with luminosity, lighter, more transparent, a reflection of our environment. There was conversation about education, and the phenomena of social networking that has permeated the encaustic world..(the many regional groups), about health and safety issues, and about the process of actually working with the material. I don't know if the question: "Why has it become so popular in the last 15-20 years" actually got answered, but the discussion was lively, with a variety of points of view. check out the panelists' sites below:

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