Ellen Koment

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BLACK EMERGES: new paper 2015
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Available Paper Pours, 44" x30"
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Available Paper; 30" x 22"
Available Larger Panels
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Sunday, December 22, 2019

In the old Studio

above: Framed: Brothers, Blue meets Blue and Blowing

Blacks Playing, 22" x30" wax on paper

Blue Waves, 22" x 30" wax on paper

EACH 22" x 30" wax on paper

22" x 30"

A dyptich: "Blue Mountains" 36" x 96"

.

AND SO MANY MORE...Including some Mario Quilles ceramics

More at www.ellenkomentart.com

And www.marioquilles.com

Posted by Ellen Koment at 12:34 PM

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Woven Tale Press: First Prize

click the image for the article

More About Paper Pours

Home
NEW PAPER 2015
PAINTINGS ON PAPER

IN THE STUDIO

photo by Les Hancock

WORKSHOPS

Spain Workshop
Santa Fe workshops

at MIXX Projects, Telluride, CO

click image to the website

Exhibit at David Rothermel Contemporary, Santa Fe

June 30-July 14,2017

Exhibit at LongView Gallery Washington DC

Exhibit opens March 24 click image

REPRESENTED BY:

LongView Gallery,D.C.
Laura Rathe Fine Art
MIXXProjects, Telluride
David Rothermel Contemporary, Santa Fe

ART LA ART SHOW Jan 11-15,2017

Showing with David Rothermel Gallery, booth 925, LA Convention Center

"BLACK EMERGES NO 1." NEW PAPER PIECES

click image to see more

Santa Fe Gallery

Click here to see new work at David Rothermel Gallery Santa Fe

NEW BOOKS FEATURING THE WORK OF ELLEN KOMENT

Available on Amazon Article and Paintings by Ellen Koment, cover image as well

Encaustic Works '12

Koment on the Cover

"Contemporary Art of the Southwest"

Ellen's pages

PAINTINGS ON PANELS

click image to paintings on panel

More About Paper Paintings

click image for more about film, books magazines and more paintings

Ellen Koment's Encaustic Workshops

Encaustic Workshops with Ellen Koment: Click here for information

juxtapose series

encaustic and pigment on paper, 45" x32"

juxtapose series

juxtapose

wax and pigment on paper, 50"x40"

BOX GALLERY, SANTA FE

Box Gallery,Santa Fe

Cover and Article in EAI online Magazine

Click to go to the magazine

About Me

Ellen Koment: Koment has been exhibiting her encaustic paintings nationally for over twenty years. She is a graduate of The Cooper Union Art School in NYC, and has a Masters degree in painting from UC Berkeley. She has been teaching encaustic for more than twenty years. She is a recipient of the 2018 Gottlieb Foundation Artist Grant.

View my complete profile

Color Falls 1

Click the image to see available paintings

"Harawa"

encaustic on panel, 54" x 40"

le fleur de mal

encaustic on panel 72"x40'

Architectural Digest Oct 2010

Ellen Koment painting "Morpho" in a client's home, Architectural Digest Oct 2010, click here

LINKS:

Encaustic Workshops
Mario Quilles: recent sculpture
Box Gallery/ Ellen Koment
Ellen Koment and Mario Quilles
http://www.youtube.com/user/nmencausticworkshops

Blog Archive

► 2009 (2)
- ► December (2)

► 2014 (1)
- ► July (1)

► 2015 (1)
- ► February (1)

▼ 2019 (1)
- ▼ December (1)
  - In the old Studio

► 2020 (2)
- ► March (1)
- ► September (1)

► 2021 (3)
- ► June (2)
- ► November (1)

Koment: R&F Artist of the month

click here to read the interview

ATOA Panel, NYC Great Success!

ATOA Panel, NYC Great Success!

The ATOA Panel in New York City was a great success, with presentations form the six of us, Richard Frumess of R&F Paints giving an encapsulation of the history of encaustic, and the five artists on the panel showing and talking about their work in this medium. I was particularly struck by the differences between the encaustic work from these New York artists, and what I see in the Southwest. The New York work (at least judging from this sample), seemed denser, more opaque more substantial. The best of the work that I see in Santa Fe has to do with luminosity, lighter, more transparent, a reflection of our environment. There was conversation about education, and the phenomena of social networking that has permeated the encaustic world..(the many regional groups), about health and safety issues, and about the process of actually working with the material. I don't know if the question: "Why has it become so popular in the last 15-20 years" actually got answered, but the discussion was lively, with a variety of points of view. check out the panelists' sites below:

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