Ellen Koment

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Thursday, September 10, 2020

NEW WEBSITE: www.ellenkomentart.com

www.ellenkomentart.com 

Posted by Ellen Koment at 1:14 PM No comments:
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Woven Tale Press: First Prize

Woven Tale Press: First Prize
click the image for the article

More About Paper Pours

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  • NEW PAPER 2015
  • PAINTINGS ON PAPER

IN THE STUDIO

IN THE STUDIO
photo by Les Hancock

WORKSHOPS

  • Spain Workshop
  • Santa Fe workshops

at MIXX Projects, Telluride, CO

at MIXX Projects, Telluride, CO
click image to the website

Exhibit at David Rothermel Contemporary, Santa Fe

Exhibit at David Rothermel Contemporary, Santa Fe
June 30-July 14,2017

Exhibit at LongView Gallery Washington DC

Exhibit at LongView Gallery Washington DC
Exhibit opens March 24 click image

REPRESENTED BY:

  • LongView Gallery,D.C.
  • Laura Rathe Fine Art
  • MIXXProjects, Telluride
  • David Rothermel Contemporary, Santa Fe

ART LA ART SHOW Jan 11-15,2017

ART LA ART SHOW Jan 11-15,2017
Showing with David Rothermel Gallery, booth 925, LA Convention Center

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"BLACK EMERGES NO 1." NEW PAPER PIECES

"BLACK EMERGES NO 1." NEW PAPER PIECES
click image to see more

Santa Fe Gallery

Santa Fe Gallery
Click here to see new work at David Rothermel Gallery Santa Fe

NEW BOOKS FEATURING THE WORK OF ELLEN KOMENT

NEW BOOKS FEATURING THE WORK OF ELLEN KOMENT
Available on Amazon Article and Paintings by Ellen Koment, cover image as well

Encaustic Works '12

Encaustic Works '12
Koment on the Cover

"Contemporary Art of the Southwest"

"Contemporary Art of the Southwest"
Ellen's pages

PAINTINGS ON PANELS

PAINTINGS ON PANELS
click image to paintings on panel

More About Paper Paintings

More About Paper Paintings
click image for more about film, books magazines and more paintings

Ellen Koment's Encaustic Workshops

  • Encaustic Workshops with Ellen Koment: Click here for information

juxtapose series

juxtapose series
encaustic and pigment on paper, 45" x32"

juxtapose series

juxtapose series

juxtapose

juxtapose
wax and pigment on paper, 50"x40"

BOX GALLERY, SANTA FE

BOX GALLERY, SANTA FE
Box Gallery,Santa Fe

Cover and Article in EAI online Magazine

Cover and Article in EAI online Magazine
Click to go to the magazine

About Me

My photo
Ellen Koment
Koment has been exhibiting her encaustic paintings nationally for over twenty years. She is a graduate of The Cooper Union Art School in NYC, and has a Masters degree in painting from UC Berkeley. She has been teaching encaustic for more than twenty years. She is a recipient of the 2018 Gottlieb Foundation Artist Grant.
View my complete profile

Color Falls 1

Color Falls 1
Click the image to see available paintings

"Harawa"

"Harawa"
encaustic on panel, 54" x 40"

le fleur de mal

le fleur de mal
encaustic on panel 72"x40'

Architectural Digest Oct 2010

  • Ellen Koment painting "Morpho" in a client's home, Architectural Digest Oct 2010, click here

LINKS:

  • Encaustic Workshops
  • Mario Quilles: recent sculpture
  • Box Gallery/ Ellen Koment
  • Ellen Koment and Mario Quilles
  • http://www.youtube.com/user/nmencausticworkshops

Blog Archive

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  • ►  2014 (1)
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    • ►  December (1)
  • ▼  2020 (4)
    • ►  February (2)
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    • ▼  September (1)
      • NEW WEBSITE: www.ellenkomentart.com

Koment: R&F Artist of the month

  • click here to read the interview

ATOA Panel, NYC Great Success!

ATOA Panel, NYC Great Success!
The ATOA Panel in New York City was a great success, with presentations form the six of us, Richard Frumess of R&F Paints giving an encapsulation of the history of encaustic, and the five artists on the panel showing and talking about their work in this medium. I was particularly struck by the differences between the encaustic work from these New York artists, and what I see in the Southwest. The New York work (at least judging from this sample), seemed denser, more opaque more substantial. The best of the work that I see in Santa Fe has to do with luminosity, lighter, more transparent, a reflection of our environment. There was conversation about education, and the phenomena of social networking that has permeated the encaustic world..(the many regional groups), about health and safety issues, and about the process of actually working with the material. I don't know if the question: "Why has it become so popular in the last 15-20 years" actually got answered, but the discussion was lively, with a variety of points of view. check out the panelists' sites below:
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